bicentennial christmas

A stone drunk Santa

slow jams through our home,

his long white beard

reduced to patchy stubble,

rosy cheeks

gone yellow & hollow,

chubby physique

now stick figure thin.

Dad's lifelong passion for oblivion

once curtailed at Christmas

in deference to us kids

could no longer be,

such balance now beyond his grasp,

chased away by the ghosts of cirrhosis

gnawing at his liver.

This last Deck The Halls,

sipping Cream of Kentucky

libations through a straw,

when even prayers to the porcelain

or the rug or the sink

are unable in the end to stave off the slab

and a date with a toe tag

come the swelter of August.

goodwill sunflowers (van gogh on the cheap)

the pale green plaster walls crack

to a nicotine ceiling sadly

coughing up our acrid interior

hazy through their shroud of putrid.

--

a thrift store van gogh muses

from his living room perch on high,

they lie catty corner to one another

in fading upholstered coffins

numb to vincent's goodwill sunflowers.

--

sick, smokes, and delirium

and never ending bargain basement booze

flow by the hand-me-down television

tuned to unwatched watergate hearings

whose treachery can't be bothered

in this netherworld of ours.

august '77

Elvis is in rehearsal for his last show,

polishing the toilet seat

for an audience of one;

the king can see that final curtain

rising through the mist

of his deep dried fame,

singing songs to himself

no one will purchase,

gummy through the cobwebs

of pharmaceutical sadness.

--

My father is in rehearsal for his last sale,

dampening the sofa cushions

for an audience of us;

my dad can see that final customer,

yellow through the mist

of cirrhosis fever,

speaking words to himself

no one will fathom

as they drown into a jigger

of bourbon madness.

--

The king and my pops

never made it to September,

dissolving into nothing

in the flush of the Summer of Sam.

Booze Battered Lineage

I feel the weight of the weird

and the strength of sad weaklings

as I crawl through the alleys

of childhood dreams.

----


I arise to the noises

of garbagemen retching

and I yearn to be trashed

until numb to the numbskull I've been and become.

----

Yesterday's misery

is mailed to tomorrow

as time disappoints me

once and again.

----

I'm malaise bloomed incarnate

in Kafkaesque shit storms,

drenched in digestion

of booze battered lineage.

----

I'm swamped in the ethos

of failed adolescence,

bathed in the strychnine

of putting up appearances.

----

I'm the muck that I'm stuck in,

cut on shiny shards of family

through the thick shag of sick

and the avocado bygones

of disco sad psychosis,

shot past present tenses

that haunt all my tomorrows

like an out of style spectre

cursed with everlasting shame.

A moment Saturday in 1970

Mom is gardening

in the summer sun out back,

smoking and probing

at what might one day be lettuce or parsley.




Inside, Dad's head bleeds sweat

through the couch cushions,

sweet stained remnants

of endless bourbon daydreams.




I am manning a lemonade stand

in the yard out front,

earning some coin

from kindhearted strangers,

though perhaps I'm the one drinking the Kool-Aid.



Sis is away with friends

trying to blot out homestead time bombs,

a normal teenage girl

trapped in the body of familial dysfunction,

trapped in the bailiwick of parental decay.


We are all in our own place,

frozen in a fevered fear of fate

not yet written but already carved in stone.

Toyz in da Hood

This time of year - which seems to begin earlier every autumn - puts me into a nostalgic frame of mind. Up with the birds this morning, I was able to catch a bit of Saturday morning TV fare with the very first flush of the upcoming holiday season's toy advertisements already breaking bread. Now to be sure, my toys of yore were a bit different. We're talking toys circa late 60s/early 70s. I think the most "high tech" item I ever owned was Hasbro's Lite-brite.

Hot Wheels were my longest running passion. I remember a few Christmases with them, and they're still alive-n-kicking in the 21st Century; in fact, they are one of Mattel's premiere brands to this day. Of course today Hot Wheels is all fancy and whatnot. Back in the olden times it was just a bunch of orange plastic strips of miniature road connected together in sundry ways (loops and ramps and so), with little metal cars you dropped onto said tracks. Gravity did the rest of the work, no electricity required. It didn't take long for the day-glo tangerine strips to outlive their usefulness as race tracks, but they went on to new lives as play weapons (whips, swords, etc.). I can still feel the sting those three foot hunks of rubbery plastic exacted when used in pretend anger.

Slot-cars. They were right up there in the pantheon of toy Christmas pleasures, along with Big Wheel and my black Sears Spyder five-speed "muscle" bike. I could be getting some of my Yuletide memories jumbled with birthdays here but I remember the slot-cars distinctly on Christmas, racing them all day long under the tree.

Looking back now, my favorite time of Christmas wasn't rushing out of bed to see what the unkempt fat man and his mangy venison chauffeurs had delivered but rather putting things together afterward. My parents - and later, sister - were often up until the wee hours stitching together my Kris Kringle loot but there were several items still wrapped come morning and many required assembly once opened. This was the shit "Santa" hadn't delivered (presents from people living south of the North Pole). Dad and I often set to work on this task together and it was one of the few father/son moments I remember fondly. The other was Sunday mornings with the paper and powered donuts. After that it drops off into the abyss.

Other items of note:

• Unicycle. Not sure why my friend Brian and I learned to maneuver these things but I can tell you it's not like a bike: you do in fact "forget" how to ride as I found out not too long ago in a painful display.
  
• Remote-controlled model car
• Rock'em Sock'em Robots
• Barrel full of Monkeys
  
• Electric Football Game. Electricity vibrated the little players around the "field" - perhaps this was my highest tech toy.
• Various Play-Doh toys (mainly used to carve up said play-doh into numerous shapes and sizes). My Mom used to make homemade "play-doh" as well, of wildly varying color and quality.

Man, reading all this now I see this kid was really spoiled as a child with all manner of crap. Somehow my parents came through with the goods come Christmas and birthdays, regardless of our financial straits. If only there were but two days in the year then things would have been golden all around. Damn Gregorians.

Oh yeah - I nearly forgot perhaps my favorite toy of all: Mattel's VaRoom! ...

Varoom by Mattel
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Leonard

Leonard was a hefty sort and a sad sack - the only overweight member of my Dad's rum buddies (or more correctly, whiskey chums). He was trapped in a miserable but inexplicably lasting marriage to the rarely seen "Bubbles", a hoity-toity gasbag forever berating him for being who he was: a falling-down chronic alcoholic prone to balling his eyes out at the drop of a hat.

But Leonard had his uses, at least to Dad and his pals: he had a vehicle, a truck. That was a valuable commodity to this crew, most of whom no longer had ready access to such devices (wrecked, repo'd, sold for liquor money; they all had a story).

Leonard's truck was a means to get to the state store or the bars, and was essential to his continuing inclusion in this band of boozers, since he rarely had any duckets to kick in for beverages. (Bubbles came from money and held tight to the family purse strings. She had long since put the kibosh on doling any out to her lush of a husband and he had to settle for scraps or whatever he could steal from the cookie jar when her back was turned.)

Leonard had mad skills behind the wheel as he weaved down the road bouncing from curb to curb, emphasis on mad. Terrifying, in fact. As one of the few people to ride with him sober in those days, my survival attests to his mastery of the art of lubricated locomotion. (I was 8, 9, 10 years old and wasn't prone to knocking back shots at 9am on a sunny August Tuesday like the others along for the ride in this deathtrap.) Leonard had a six sense when navigating to the state store (the truck pretty much drove itself).

His visits would start with a knock on the door. He'd plop down on the couch, forcing Dad to sit upright from his usual semi-horizontal position. Leonard would start with a bit of small talk, all the while licking his lips and shooting glances plaintively toward the corner where the old man kept his bottle. Medicine for the sick. If the bottle was empty, he would suggest a road trip and if it wasn't, he'd suggest a glass (I think he used a glass but my memories are kind of foggy; Dad usually didn't bother at this point). Either way, soon would be the booze a-flowin' and the tears would surely follow. Bubbles doesn't understand, woah-is-me, yada-yada.

Watching that fat drunk waddle-stagger to our bathroom after knocking back a bottle with Dad was a treat. He'd have done Chevy Chase and Dick Van Dyke proud with his prat-fall antics, though perhaps Chris Farley would be a more apt comparison. Leonard'd start out by invariably catching his shoe on the braided living room rug, nearly doing a header into the dining room. Next, he sluggishly danced with a leg raised in an attempt not to step on the tail of my sleeping dog Snooks (a failed attempt on several occasions I was present for - the damn dog didn't learn). Once past the dog for good or ill, Leonard would grasp for the dining room table and chairs to slow his stride lest the momentum tumble him into our 'china' cabinet. Safely through the worst of this journey, he'd stagger out into the hallway near the toilet, on two occasions tripping over the cord that coiled out from under the telephone table there, falling back on his ass.

Only once did Leonard alter his route to the can and he paid dearly for this deviation. For some reason on this one trip, he made the journey via our kitchen rather than directly through the dining room. Bad move. He was confused by this wrong turn, puzzled by the sight of a fridge where the hallway phone table should be. In a daze and about to topple over, Leonard made the mistake of using the stove for leverage and placed his hand firmly on a lit burner (I was getting ready to make coffee). You never heard such a banshee cry! It caused Snooks to hightail it out of the living room to safety under my parent's bed. I'm surprised Leonard ever went to the bathroom again in our house. Certainly he avoided the kitchen. And that's Leonard. Glad ya got to know him.

Hal

His name was Hal Lambert. Hal-o-wishes. A charter member of my Dad's drinking entourage, he was forever decked out in his pork pie hat and dapper threads, a gentleman in the 1950's sense of the word. Kind of sophisticated for Dad's crowd. Sophisticated, that is, when he wasn't throwing up in the corner or crying like a baby into a pillow on our couch (both happened more than once). Looking back, Hal reminds me a bit of William Burroughs. Did that make my Dad Jack Kerouac? Probably not. I think the resemblance ended with the gentile nature and omnipresent hat. And of course their mutual addiction to mood altering drugs. With Hal, it was booze while Burroughs was hooked on pretty much everything (opiates were his "drug of choice" when pressed). The fog forever enveloping my childhood memories is usually as thick as pea soup, but if I strain my psyche particularly hard, things more or less come into focus for an instant, exposing my revisionist history. Then the fog rolls back in again, protecting me from things I'd rather not know. But it also has an insidious way of hiding the detail that is a necessary ingredient in the pictures I'm trying to paint here. I guess ya can't have it both ways. I get the feeling that Hal-as-Burroughs is one of those false fog-infused recollections. My memories momentarily a bit more lucid, I see he most resembled Mr. Magoo (who, it should be said, was a sharp dresser in his own right). I'm pretty sure they attended the same Driver's Education class and shared a similar field of vision, Magoo's courtesy of two bum retinas and Hal's brought to you by the makers of Bourbon everywhere. Having experienced the spine-tingling terror of being the lone sober passenger on a liquor run with Hal at the wheel, I can attest to his routine Magoo-like supernatural escapes from the jaws of vehicular death. Hal's wife Darlene was anything but gentile. Boisterous with the bluest of collar, Darlene was a "tavern jacket" type who could go toe-to-toe with the best of them when it came to knockin' back the sauce. She was tall, "big boned" and prone to strut, he was diminutive of stature and perpetually hunched over. Opposites who attracted, bonded by the booze and little else.

Darlene would have fit right in on the local bar bowling team. Hal would have looked more at home pacing the sidelines of a football game, Tom Landry/Bear Bryant style. Well, he would were they prone to vomiting into the Gatorade and weaving drunkenly onto the field at inopportune moments.

This odd couple often graced our home, to drink and talk and cry (well, Hal cried; that wasn't Darlene's style). And then one day, Darlene up and died. It was a strange death, apparently in her sleep. Hal waited several hours before calling an ambulance (I think he may have dialed our home first and chatted up my Dad while awaiting Darlene's rigor to kick in).

Perhaps Hal had been drunk and was confused (that was always a good bet). But we often wondered whether he'd finally had enough of her noise and simply wanted some peace and quiet. As mentioned previously, Hal knew his way around a pillow and likely could wield it in anger just as skillfully as he did in sobbing drunken sorrow. But this was merely idle talk; Darlene had any number of legitimate reasons for casting off this mortal coil at a relatively young age (I couldn't hazard a guess as to exactly how old she was - maybe late fifties). Booze and cigarettes likely played a starring role.

We saw Hal occasionally after this sad event, he prone to crying more than usual and just a bit more blind to boot, thanks to an amplification of his natural melancholy fueled by Darlene's passing and distilled (both metaphorically and literally) through the usual spirits that represented their life blood. I can't say for sure when Hal joined Darlene and Dad in that great liquor store in the sky. I imagine it's just one of many details lost in my particular fog of time.

Summer of '74

My hometown blooms

in twilight fading shades of grey

as the summer simmers

and then slips from my mind.

There remains only the house.

The room.

Them.

There, no sunlight penetrates

to disturb this tomb.

The dead don't notice.

But I do.

Broken Bell Bottom Blues

She was perfect

in every flaw.

He was hopeless

but looking up.

Just your average

sad sack couple

born of hard shell

fecal magnificence

festering around a chicken shit

suburban core.

This early morning quiet

remembrance

waxes my ears, sears my mind

silly.

Through it all

the sun still she rises

and the crows collect payment,

mockingly.

The Walmart Empire

finds its footing

even as our sad sacks fade

into avocado

deep pile purgatory,

their dancing days short-lived

yet so sour sweet.

The Unbearable Lightness of Beefheart

Captain Beefheart

copped me the keys

to an asylum wonderland,

noise akimbo staccato.

Bestowing rosy crows

of joyous madness

juxtaposing rhythms

just as weird and wired and right.

To ramshackle his aura

in full aural angst

is to play a game of twister

with porcupines and power lines.

Please buck your instincts

and appreciate this terrible beauty

through prisms askew

surrounding you on terms unnerving,

from your tongue to your toes

as the free range octaves

whisper down your blind side.

The Neighborhood Handyman

My Dad lay passed out in a neighbor's upstairs bathroom in the tub. His toolbox had been propped open next to him, a half empty bottle of whiskey poking up among the pipe wrenches and other equipment in it. I stood over him, frozen. What should I do? Run down the stairs and out the front door, pretending I never came back? Try and wake him up? This latter move might just be worse if he's as in the bag as his slobbering snore indicates. The choice was made then: I ran.

And thus ended my Dad's very short career comeback as the neighborhood handyman. But it all started a month or so earlier. Well, not exactly. Really it had been ongoing for many years.

Dad had steadily become unemployable to the regular nine-to-five rank and file over the years leading up to the tub incident. It wasn't all that big a town we lived in and he managed to drink his way into and then back out of pretty much all the companies that needed a plumbing supply salesman.

Even the alcoholics among Dad's sundry bosses had gradually thrown in the towel with him after a few dances. And by the second or third generation of Dad's career transitions, a high percentage of his hiring managers were raging alcoholics (that's bound to happen when you go job hunting primarily from the vantage point of a bar stool). Those whose boozing buddy loyalty instincts outweighed their fiduciary responsibilities eventually either drank themselves to death or at least out of any positions of influence that could protect Dad's ass from the boot.

Dad drifted into odd jobs and seasonal work after his chosen profession up and ran from him. The only one of these part time jobs I remember distinctly was his stint as a 'peace officer' with Northwest Protection Service (I can still picture his 'police' jacket with company logo and fake badge hanging up in the hall closet).

He got minimum wage to sit in a chair overnight next to the outdoor summer sale merchandise racked up in front of Kmart. There was enough shit that I guess it was cheaper to hire a guard than to haul it in and out of the store each day.

I'm not sure what Dad could have done had criminal types decided they wanted to make off with the inventory (it's not like he had a weapon; not even a club or mace). I guess he could have taken his lit cigarette, dropped it into his ever-present bottle of whiskey, and heaved it after the would-be thieves, Molotov Cocktail style. (By day, mild mannered couch-bound lush. But when night arrives, he is transformed into Whiskey Man: crime fighting Northwest protector of truth, justice and the American swing set.)

Regardless, Dad sat vigilant guard over bicycles, patio furniture and lawn mowers. Lt. Columbo, Sgt. Friday, One Adam-12, Serpico. The one incorruptible cop. Dum Da Dum Dum. That's my Dad! Couldn't wait for career day at school!

The truth is, I loved Dad's Northwest Protection job more than all the others, simply because he often brought his work home with him in the morning in the form of pilfered toys for me. I was on the receiving end of a pitch-n-catch trampoline-style baseball backstop along with a number of other items we otherwise couldn't have afforded. He was a fountain of ill-gotten gifts all around for the family during this summertime blue-light sentry duty. Likely the store would have suffered fewer loses had they simply left the stuff unguarded.

But that kind of work wouldn't pay the bills and didn't last long in any event; he needed something steadier. One of our neighbors, Austin, was a commercial artist and he volunteered to draft up some brochures hailing the "Return of the Neighborhood Handyman" in an attempt at a career revitalization for the old man. It was very nice of Austin and I really wish I had kept a few of those pamphlets around as a keepsake.

Austin's kids and I distributed these handyman leaflets like newspapers to doorsteps all around our neighborhood. The picture on the cover was a caricature of Dad, a tall lanky fellow, staggering under the weight of an overflowing tool belt filled with screwdrivers, tape measures, pipe wrenches, saws, etc. It was a bit like the picture on the left here.

Austin should have sketched in a couple of fifths of booze tucked safely away in Dad's pockets on the front of those pamphlets if he had adhered more strictly to the adage 'truth in advertising.' Whiskey topped Dad's list of the most essential tools of his trade and it didn't even make the cover! Sadly, he'd prove that out in this failed attempt as an independent business man, much to my embarrassment and his continued economic decline. Which brings us back to where we started. The tub. Almost.

The first customer who came calling was a homeowner several blocks north of us, a person we didn't know who had nonetheless been taken by the unique advertisement placed on his doorstep. The guy wasn't disappointed: Dad fixed their leaky faucet quickly and efficiently, with yours truly by his side as faithful assistant. (It was summer and this eight year old was either bored or goaded into servitude, I honestly don't remember which.)

The second customer was not so fortunate. These were neighbors we were friendly with, just around the corner. I knew the kids there, as did my sister. Theirs was a big house, they were fairly well off as I recall (the father was a physician). They had a complex job for the old man, something related to the installation of all new fixtures in one of the upstairs bathrooms. It was monotonous work and I wandered off to do kid stuff after watching Dad for a bit.

That was a mistake.

When I came back to the neighbor house a few hours later to see how Dad was progressing, well ... he was tubthumping, but I already went over that. And then I ran. I'm not sure if the neighbors stumbled upon Dad snoring among the rubber duckies or if he finally came to and managed to slither away sight unseen. I do know that he never went back to the neighbor house to finish and never received any payment from them for services rendered prior to his siesta. The argument that ensued between Mom and Dad made it clear that no check would be forthcoming, and the phone never rang for his handyman talents from that point forward.

I felt guilty a long time afterward for leaving Dad to his own devices. On the off-chance I forgot, Mom made sure to remind me loud and often. I had left my post. That's why he got shitfaced and screwed everything up. Makes sense.

Thus became the Exile of the Neighborhood Handyman. A one hit wonder. We hardly knew ye

Shiny Boots of Leather

It's a shame that two of New York City's most historic rock and roll haunts now only exist in cyberspace - namely Max's Kansas City and CBGB.

I was too young to have made it to Max's but was lucky enough to see several shows at CBGB, albeit long after its hey day as home to the Ramones, Blondie, Television, New York Dolls, etc. in the mid-70s (just after Max's first closed).

Max's was a regular hangout of the Velvet Underground, along with Andy Warhol and crew and one of the places to play in the late 60s and early 70s. Jim Carroll practically made it his second home as he illustrates in his book, Forced Entries. It's a deli today, which is a crying shame.

Why mention this? I was re-reading the Lester Bangs 'bio book' Blondie. Lester was, at least in my opinion, the best rock and roll writer the world has known, and one of the best writers of any kind. Not enough people know of him, certainly not those under a particular age. Sadly, Lester passed on much too young in 1982 and though he left a rich body of work behind, much of it is maddeningly inaccessible, save for a couple of compilations. The best of the compilations - and most commercially successful - is Psychotic Reactions and Carburetor Dung, put together by a buddy of his and another pretty good rock writer, Greil Marcus - if you haven't read it, I highly encourage you to pick it up.

Lester worked for a number of magazines in the 70s, including Rolling Stone (where he was fired at least once) but his voice really took root in the pages of Creem Magazine (God, I wish I had saved my copies from that period). Creem was an irreverent rag out of Detroit, 'America's Only Rock and Roll Magazine' it proclaimed on each cover. Creem now sadly also only has a life online (of course, it certainly isn't alone in that equation). Lester did get some posthumous exposure when Phillip Seymour Hoffman played him in Cameron Crowe's Almost Famous but his work is largely incarcerated in those Creem back issues.

Anyway, I got off track again, as I'm wont to do.

What was I talking about?

Oh, yeah - Blondie.

Lester was was a subversive motherfucker by nature. The Blondie book he had been hired to write was supposed to be a typically shallow fan bio, published only to take advantage of their unexpected success in the wake of Heart of Glass. Lester, though, had other plans. He used this relatively high profile exposure as a bully pulpit in order to preach his special brand of punk religion. He confused and infuriated the publishers (not to mention Blondie) but it's a great read. He talks about the roots of punk and in particular the Velvets and Max's and Television, the Dolls, Patti Smith, Ramones and, yes, Blondie at CBGB.

Screw the boring ass Museums that dot NYC (with a sponsor's exemption for the Guggenheim, which is kinda rock'n'roll in its own right) - I would pay dearly to be able to visit this kind of history outside the pages of a book (no matter how well written it might be).

Ahh, but that's not right.

Rock and roll isn't like other art and maybe trying to fit it into that mold would be the worst thing that could happen: you become - well, you become the Hardrock Cafe.

Max's is better off as a deli. After all, what's more New York than that? Except for perhaps the fate befallen the CBGB building, once Patti gave the final concert there in October 2006 and the doors closed for good as a rock joint.

First CBGB was shuttered/abandoned and then it became a high-end fashion store. NYC is very well known for plenty of both. The fashionistos left the club graffiti and playbills in the bathroom intact as a shrine for the richies to marvel over when they need to take a piss while shopping for high priced John Varvatos clothes and fragrances.

Andy Warhol would smile. That's very NYC indeed.

Darkness on the edge of Life

My favorite album has remained constant since 1978 and likely will stay on top until I go down under (that doesn't mean a trip to Australia). Or perhaps not. One can only hope it'll change. Why hope for a change? Well, in a very real way this choice is a barometer of my growth as an individual. Or rather, in this case, a lack thereof.

I'm talking about my 'favorite album' and not 'favorite collections of songs,' so that counts out greatest hits and other compilations like The Jam's Snap!, Elvis Presley's Golden Records and Sun Sessions, Beach Boys' Endless Summer, Psychedelic Furs' All This and Nothing and Elvis Costello's Girls, Girls, Girls.

There are lots of #2s for me, many of which are #1 on a given day:

• Bruce Springsteen's Born to Run, Nebraska, Ghost of Tom Joad and Devils and Dust
  
• The Clash's London Calling and Sandinista!
• Elvis Costello's Imperial Bedroom, Get Happy!!, Armed Forces, This Year's Model, Trust and My Aim is True, and Spike - Elvis wins the consistency prize - he has the most albums on my favorites list.
  
• Velvet Underground's Velvet Underground and Nico
• Ramones' Self-titled debut
• B-52's Self-titled debut
• Jim Carroll's Catholic Boy
• John Lennon's Plastic Ono Band
  
• Billy Joel's 52nd Street and Turnstiles
• The Beatles' Rubber Soul, Help!, With The Beatles and Revolver
• Beach Boy's Pet Sounds
  
• The Rolling Stones' Sticky Fingers, Let it Bleed and Exile on Main Street
• Elvis Presley's From Elvis in Memphis
  
• Bob Dylan's Bob Dylan, Highway 61 Revisited, Bringing it all Back Home, The Freewheelin' Bob Dylan  and Blood on the Tracks
• Patti Smith's Horses
  
• Sex Pistols' Never Mind the Bollocks
• Gang of Four's Entertainment
  
• Kristin Hersh's Murder, Misery and then Goodnight
• X's Los Angeles
• U2's October and War
• Graham Parker's Squeezing out Sparks
• Nirvana's Nevermind and MTV Unplugged in New York
• Pearl Jam's Ten
  
• Green Day's American Idiot
• Steve Forbert's Alive on Arrival
• Throwing Muses' Red Heaven
• The Stooges' Raw Power
• Violent Femmes' Hallowed Ground
• Leonard Cohen's Songs of Love and Hate and Songs of Leonard Cohen
  

But my number #1 has always been Bruce Springsteen's Darkness on the Edge of Town.

It might seem a strange choice for me.

"Geez," you could say, "you seem to be a pretty cynical guy with a decidedly dark sense of humor. There nothing funny going on here. It's deadly, even stridently, serious. And no cynicism to be found. You don't seem to have any religious faith, something that seems to permeate each of these songs. What gives? Dylan, Costello, Stones, Green Day, and most of the others, they make sense. But Springsteen? Darkness?"

True, there's not a shred of humor on this record. It might be one of the most bleak albums ever made, unceasingly so. Yet it is filled with optimism and faith. There is plenty of religious imagery. It's core to the people whose stories are being told. In the end, though, that's just imagery and metaphor. This faith - these songs - are all about a fundamental belief in yourself. Faith in you. Faith held even in the most horrifying situations, and through the most numbingly mundane.

And there is not an ounce of sentiment on this album. Nothing to escape the dark heart of humanity. The words are basic, overly redundant, devoid of the purple prose Bruce was known for up to that point and fell back to again afterward. Some of the songs are almost unlistenable taken by themselves - they build on Lennon's Plastic Ono Band Primal Scream foundation, ratcheting it up several notches with blood curdling contortions - yet they fit into this world perfectly. Conversely, many of the tunes are my favorites even outside the context of the whole: Racing in the Street, Badlands, Adam Raised a Cane, Candy. All would be in my personal top forty.

Darkness is not a 'concept' album. Yet it is. A series of small moments, events that occur in small towns and cities across America. Rich and poor and middle class, they're all affected by the dissolution of hope and dreams and faith in yourself and in others. The bonds and chains of family.

It was released in the hey day of the first punk explosion and shares a lot with the best of that lot (especially the Clash, though they focused on the political element of faith perhaps more than they did the personal).

I look at Darkness as the first of a quartet of albums Springsteen recorded in this same vein, the others being Nebraska, Ghost of Tom Joad and Devils & Dust. These albums share a similar core, a common conceit, but it is not a musical one; rather, it is thematic, and it is attitude. Sure, it might be fair to say Bruce covers this same turf on everything he's recorded. There's at least some truth to that. But the hard, unflinching, bleak, bare, milk-all-the-sentimentality-out-of-it attitude exists for me only on these Springsteen records, and not many others, of any artist. It lives for me on Darkness most of all. (Leonard Cohen's Songs of Love and Hate and the Velvet Underground and Nico live in this world for me as well. There were seeds of it on Born to Run in Thunder Road and Backstreets but I love that album for wholly different reasons.)

In the end, all of what I've written here is just a big load of pretentious bullshit.

None of this explains why I've been coming back to this record time and time again since 1978. Why I invariably play the thing from beginning to end each time. Why it's never just background music when I do. The whole thing can be explained by two verses on the record. They come from different characters and different songs at wildly different tempos and moods. One from the point of view of the protagonist's loved one (in this case, his girlfriend) and the other describing the protagonist himself (first person). They perhaps sum up two different, warring, sides of my being better than anything else I've found in art. The first pokes at my core, borne of my upbringing, and the second is aspirational, what I've been striving to get to ever since:

1. Racing in the Street: She sits on the porch of her daddy's house, but all her pretty dreams are torn. She stares off alone into the night with the eyes of one who hates for just being born.
2. Badlands: For the ones who had a notion, a notion deep inside, that it ain't no sin to be glad you're alive, I wanna find one face that ain't looking through me, I want to find one place, I want to spit in the face of these badlands.

The protagonist of each song on Darkness is always striving to live life, not satisfied merely to exist. Even in the face of devastation. Even when all of the others around him have given up.

I want to identify with those protagonists but I know I can't, not really. In the same way Jules wants to believe he's the Shepherd at the end of Pulp Fiction but knows he's still the 'Tyranny of Evil Men.' But I'm trying, Ringo, real hard, to be the Shepherd. Maybe if and when I finally make it, this record will fall by the wayside.

Until then, "Lights out tonight, trouble in the heartland. Got a head-on collision smashing in my guts, man. I'm caught in a crossfire that I don't understand."

Our Living Room Cries, Her Coffee Cup Bleeds

I was fixated as a kid on a red and white checkered coffee mug, a cup that would never know the taste of java; in fact, it knew only wine, woman, and song. The wine was cheap, the woman my mother and the song metaphorical. Think Beach Boys 'In My Room,' moved to the front of the house with the atmosphere of Leonard Cohen's 'Dress Rehearsal Rag.' Our living room was an irony, its name an oxymoron.

This mug held court on the TV tray, itself acting as end table to the living room love seat. A white-handled prince among the ashtray, matches and cigarette butts scattered like peasants around it, this ceramic monstrosity was perhaps the favorite among my mom's assemblage of accouterments. It was a toss-up between that cup and her smokes, but I think the balance was tipped when the cup was full. And full it was, often - wounded, in fact, by the beverage it contained. A stained bloody crimson interior, ravaged by Ernest and Julio Gallo's Tavola Red, courtesy of the gallon jug ever present on the floor beneath her feet.

My mom was invariably perched in a regal green robe on her throne, the leftmost cushion of that filthy love seat. Across the muted colors of her homemade braided living room rug, Dad lay passed out on the larger couch along the wall behind the shuttered front windows. His beverage of choice - whiskey, brown bagged - stood steadfast in the corner within reaching distance, no mug required.


That rug - God I hated the thing. Like Edward Sissorhands, it wasn't finished. Ever. Started from thrift store coats by Mom in her 30s, the endings lay unraveled, half hidden in the corner of the room, itself a metaphor for the people who paced on the twisted fabric.

And through the hazy chain smoked fog of Alpine Camel nicotine, the cheap Van Gogh Sunflowers print looked down upon us from its vantage point high up on the green painted stucco wall across from Dad.

I usually squatted by the heater vent below Vincent's flowers, laser focused on the television.

Mom would chain smoke, drink and watch, sometimes she would cry. Always she would read. Dad would drink, smoke and drool. And throw up into his mixing bowl; thank God for Tupperware and other small favors. Dad would sit up occasionally, unsteadily. And drink. Often this required a bit of help, during the shakier times. Wrapping a bath towel around his neck and tied to the wrist of his drinking arm, he'd pull on the terrycloth with his steadier hand and guide the bottle to his mouth, like a seasoned crane operator.

Turn up the volume on the TV! Did I hear that? Probably not - it was just my sensibilities imploring me to drown out the madness. I would spring from my perch over to the console set in the corner and crank the volume up to satisfy my sanity. In time, though, no sound could silence the sickness, and no flickering image could mask the claustrophobia of the room. Television, the thing which allowed me to escape the reality of that place, for the longest time could only be found in its midst, that room. Eventually I was able to watch my diversion for short periods in the local hospital waiting area a couple of blocks up the street. But you couldn't loiter around there for any extended length of time.

More often, when my psyche and stomach couldn't take another hit, I'd go to my room and read (Manchild in the Promised Land, Invisible Man, Outsiders, Great Gatsby, On The Road) or listen (Beatles, Presley, Cohen, Stones, Joel, Springsteen later Clash, Costello, Parker, Ramones). I became obsessed with all things music - albums, eight tracks and Creem magazine fed my addiction. And I'd put my thoughts to paper on my little typewriter. Thoughts and paper lost to time and trash.

Or I'd leave - run, outside - somewhere, anywhere, finally nowhere.

That room.  It followed me everywhere, however much I tried to outrun it.  I hid in places and circumstances I'm still trying to shake, but whenever I paused to turn around, there it was.  It's with me still, that room (that house) - out of sight, but never out of my raging mind's eye. That room. That robe, those books, that cup. The smoke, those bottles, that bowl, the vomit. Those people, melted into the furniture - my family, smoldering.

The Beatles Help! brings to mind my family more than any other music - I bought the album on August 11th, 1977 and found out my Dad had died of Cirrhosis later that day, so each of the songs invoke memories of the event. I remember being so psyched about getting my hands on that record, never mind that it was 12 years old at that point. For me the Beatles were a relatively new discovery in the mid-70s - only three or four years into my obsession - and I was gobbling up the shit. Hearing the news about Dad had an effect on me I wasn't expecting: overwhelming sadness, pain. I had been braced for it and was anticipating relief; it was a surprise. I lost myself in my room that day and played Help! over and over and over.

However, it's Rubber Soul that has remained my favorite fab four album. In My Life.  Indeed.